That’s my thing. Like, when I’m in Ambient Mode
do not fuck with my release stage
though it can be worked around a bit, of course. I mean I use monosynths all the time, and just… play less notes, I guess (which isn’t a bad thing) or just accept it. Or wait to trigger the next.
I have access to an Elektron Analog Keys atm from a friend’s collection, and it’s a lot of fun with “only” 4 voices, tbh. Sometimes I feel myself internally saying “But Sequential will give me 5 or 10, and Arturia 6…”
And since I mostly do 3 note chords, I think the PolyBrute and its 6 would be just about good for me, which probably means 8 notes would be very solid. I haven’t noticed too much of a problem on the SKULPT, either, at 4; a lot of it feels almost like it’s a mental block or reaction, FOMO, or just wanting “more.” 6 notes works out pretty well on an Alpha Juno, too…
Or I could just sample chords a lot more and solve it that way. There’s definitely that vibe of re-pitching sampled chords.
I guess I’m more accepting of voice limitations on analog instruments than newer digital is the big takeaway. I remember the old Nords had 4 voices, too, in the early days of VA hardware, and you could buy voice boards to expand it to 12 or something. I think several VAs did this, too? I know the MS-2000 and its MicroKorg Mini Me have 4 voices. But it’s 2022 and powerful DSP hasn’t been super expensive for a really long time by now. I’m not saying everything needs to have 64 or 128 voices like a ROMpler. Even a K5000 from 1996 has up to 32 voices with its additive engine. A DX7 from 1983 has 16. There are other early VAs with 8 or more voices, like the Red Sound Darkstar line. Even an OP-1 from 2011 with a low-power DSP to get more battery life is still 6 voices. So this near-obsession with limiting digital synths to 4 voices is just mind-boggling to me o.O In 1010’s case it’s probably just cheaper to manufacture both Fireball and Lemondrop with identical hardware and that’s just that; the best it could do with the granular engine taking more DSP power. Maybe they’ll add a polychain feature in the future.
I typed up a lot more than I thought. I slept a lot today, so I’m a little more wired/wound up than I should be at this time of night 
A Model: Cycles ‘Chord Machine’ is also 4 voices, but there’s no envelope really, just the LFO. I haven’t actually tried using the Chord Machine on all 6 tracks; maybe that could be a homework assignment XD Digitone is 8 voices. The Blofeld is how old with “up to 25” depending on DSP use? A Virus B from 1999 is 24 voices. To be fair, modern VAs blow away older ones on “waveform purity” or whatever as seen on oscilloscopes so they take more powerful DSPs or more resources from a given DSP. But there’s also been 20 years of technological advancement. Is it that slow in the DSP world?
I know these are only $400. With only two knobs, a small touch screen, and a handful of outputs on the physical side. Am I just being too critical here?
Edit Also, 1010 needs to make a purple one
Just call it Grape; I’ll allow it. Or Purple Drank lol…