ay thank you for the kind words sir.
BB 113 - Nihonium
if @Tsachi submits something we’ll have 7.
I can’t believe it. We’ve got enough subs to line them all up in a post like the good old days
I’m gonna go ahead and start this since @Tsachi seems to be out somewhere…
VOTING PERIOD HAS STARTED!!
THESE ARE THE TRACKS!! LISTEN AND DROP YOUR VOTE FOR WHO IS THE BESTEST BEAT BATTLE BATTLER!!!
VOTING ENDS SUNDAY AT 11:59 PM (UTC-6, MST)
The Off-Topic Thread
I don’t think people shouldn’t be allowed to vote for themselves. With that said, I never vote for myself, and also, because we don’t often have lots of participants it could make voting more difficult, but I figure it’s their vote, if that’s what they want to do, that’s their prerogative.
I do think imo that it’s more sportsmanlike to cast a vote for someone other than oneself tho.
We can open that up in the Discussion thread (for anyone who’d like to chime in: Beat Battle Discussion).
EDIT: Just to clarify all this for others, we currently have no rule addressing whether someone can vote for themselves, so pop in the discussion thread to discuss!)
lol people can vote for themselves… only if the voting isn’t anonymous so then we can see their dirty deed. I voted for myself on beat battle five was it? Can’t remember.
This was a tough one though, nice job everyone. Keys be damned! My thing isn’t done yet but I’ll be posting it late, obvious disqualification.
Got a good kick out of the samples. What’d you do for that? I like the hollow, wooden flute/organ sound. The high noises are cool too. cool housey/chill experimental vibe. dig it.
For the kick, I used the spectral filter in izotope Iris to filter down one of the keyboard sounds to basically a sine wave, found a clean portion to one shot. Then I took a modulation envelope to coarse pitch, which pitched the whole sample in semitones and sounded like garbage until I put the master filter on it. Added some resonance to the filter and another envelope to hide most of the pitch change artifacts and add some oomph in the low end. Then put another envelope on master gain to control dynamics separately. All three envelopes are really snappy with at most a few milliseconds of attack just to put them out of phase with each other. All three have decays around 80-200 milliseconds, no sustain.
Ok I voted. That was a really difficult choice. They were all very good, great sound design and ideas all around.
I think this is the key of A min??? Chords are: Gmin6, F#min7, Emin6, D#dim7 (also known as D#min7b5), Dmin7, Emin7, Amin/E (Amin first inversion), Cmaj7 third inversion. Second half of pattern exchanges F#min7 with Fmaj7 followed by Fmin, the D#dim7 is exchanged with a D#min7, and the last two chords are Fmaj7 followed by a Gmaj6.
Oh, looks like I already got a stupid fucking bot comment on the track too.
man professor music theory over here!!
well it’s strange tho because LOOKING FOR A HOOKUP WITH A RANDOM STRANGER is right when it got lit with the dope snare coming in. seriously tho, very nice.
maybe people like to hook up with random strangers when there are dope snares playing?
I always seem to get at least one bot follower and a like whenever I upload a track to SC. It’s funny, there’ll be no listens yet, but the bot account will have liked it and started following me already lol.