The Hardware Megathread


#2435

Here’s a quick and dirty guide on audio/electrical noise:

Ground Loop - This happens when you have two different ground voltages, mostly caused by plugging things into two different outlets. This is classic 60Hz hummmmmmmmmm. Fix it by plugging both piece of offending equipment into the same outlet/power strip, removing the ground with pliers or a ground lift adapter (a bad idea, mostly), or isolating one or both signals with a transformer. DI boxes are an easy source of ground hum elimination.

Line noise - AC is a sine wave, goes up and down, up and down. But in reality it’s not that perfect wave that everyone puts in videos, it’s got tons of little jitter in it because power isn’t 100% clean. Depending on the sensitivity of your equipment and how bad that jitter is, you may get hiss, hum, pops, crackles, etc. This is the ‘dimmer switch on your lights causing hum’ thing. Fix it by cleaning up the power with a surge protector/power conditioner (mileage may vary depending on the amount of line noise and quality of filtering), an isolation transformer, a UPS or similar.

EM Interference - This is when your equipment and cables pick up stray electromagnetic waves and amplify them. Ever heard a cell phone ring through a guitar amp? That’s this, but it can also be static or noise from any number of sources. Using shielded and balanced cables can prevent a lot of this. More troublesome noise is usually fixed by moving the offending device farther away. If the device itself is picking up EM, you can line the inside with aluminum foil to reduce it, or install a ferrite bead in the device or cable (often called a choke - it’s those little cylindrical bits on laptop cables near the plug) that can reduce it.

RF Interference - A subset of EM interference. Cables will pick up radio frequency signals from things like your computer, your phone, radio stations, etc. Classic example is the Spinal Tap “air traffic control through the guitar” bit. This often happens with unshielded cables and/or coiled up cables, as your turning it into an antenna.

USB Noise - USB is super handy and almost every piece of audio equipment comes with one nowadays, but you can get all sorts of noise coming down those things because the cables are small, cheaply made and can transmit power alongside data. This can lead to static, noise, glitches, etc. Usually replacing the cable with a better one fixes it, or running separate power to the device instead of over USB for really troublesome cases.

There’s lots more fine print, but that’s a basic “what the fuck is wrong with my audio?” list. Probably the cheapest and most effective way to up your quality is by using well-shielded cables, balanced cables whenever possible, and keeping things plugged into high quality surge protectors.


#2436

Purely speculative post (read between the lines)…

If you had a groovebox with an envelope follower assignable to multiple parameters, what would you try?
So far I tried a sort of compression to duck volume and at the same time pan audio left/right.
It add some nice movement but I’m really short of ideas for something that seems a super cool feature.


#2437

Envelope to a distortion gain if possible. That’s fun and dynamic, very playable.


#2438

When I had my Electrix Filter Factory I used it w filter follower after a delay FX to nice fx.

I haven’t had a filter follower on hardware or software for a while tho.


#2439

Delay time to get those weird pitch shifted delay sounds maybe…
Not 100% sure what you are talking about tho. Do tell more


#2440

Try holding a trigger and yes(I think) it should preview the sound and p-locks on that trigger, super useful


#2441

Need some additional eurorack sequencing and utility devices.

I’ve got 3 voices of euro samplers, and enough mixing to make some god awful noise… now I need to dial it back, control the chaos.

I figure I can load in multisamples to some units set to keys/modes and then have some additional voices do more chaotic things.

I still don’t own a VCO.


#2442

@RFJ has used a couple Euro Rack sequencers recently that seemed cool.


#2443

Great tip! Thank you : ) That’s really awesome.


#2444

For sequencing I use the WMD Aroitecht as my primary sequencer. It’s not a sequencer you can program, more of an arp that spits out triggers and pitches. But it can be very controlled and all the parameters can be under CV control so it can do much more than just arps.

I would recommend a sequencer like that because it’s knobbed up and playable. You only get 1 pitch cv and one trigger but that’s easily solved with a logic module for extra triggers based off the trigger from the sequencer. Then you mult out your pitch but tune your vco or samples to different intervals that are in tune with each other. That way when you change the notes or the scale on the sequencer everything changes in unison because they’re all sharing the same pitch CV. You get variations and different patterns by way of the logic module. I much prefer a setup like that for sequencing over a larger multi track single module programmable type thing.


#2445

Hot Damn Artificer, thanks for the info. I copy/pasted your two posts into my personal notes for future reference. :slight_smile: I deal with PCs all day long at work so UPSs are a common topic, but I was always a bit hazy on the rest. Thanks for sharing!


#2446

It might be worth copy and pasting those posts into another thread to archive it and make it easier to find by search


#2447

Feel free to move my posts around if you think it’d be better. I’m not particular. Kinda shittin’ up the Hardware loving anyway lol


#2448

Oh no, that wasn’t my meaning. Perfect thread for it and I asked here!

I just think it is a relevant topic that deserves its own thread and your posts would make a good initial guide!


#2449

Well a good friend is downsizing his studio before he moves to the east coast. He gifted me a 48pt patchbay. As I build my own cables I’m thinking REALLY hard about how to best set everything up. My mixer has been criminally underused considering what it is as I had gone to patching directly to the 16 ch of interface IO that I have, and I have some rack FX in my basement (of all places) that I’d love to get back into the mix.

This patchbay (Behringer Ultrapatch pro) is easily switched between parallel/halfnormal/normal/open, but they put the dang dumb switches on the top of the unit… not exactly ideal for changing on the fly if its all racked up.

Time to make a spreadsheet and flowchart i suppose. I’m thinking of keeping a lot of channels half normaled so that i can track elements both wet and 100% dry to keep mixes more flexible. i tend to get a lot of midrange build up in my tracks due to the excessive amount of delay and verb use, tracking thru those effects makes life difficult. having both right there is pretty fucking handy.

Looking forward to the eventual additional functionality, but not looking forward to the build. I hate clutter and spaghetti racks, hence making the custom cables and I’ve already invested in 300 feet or so of 8 channel snake line and TRS connectors. It’ll keep the cost down, just need more TRS ends at this point.

…Its just a matter of doing it.


#2450


That black is tasty. Maybe I can trade a sucker for my grey RYTM at some point


#2451

The idea behind the Behringer patchbay is brilliant but how ya gonna put the switches on top of a rack mount unit lol? That’s the only I’ve ever owned and would get one again, but you still have to set and forget so to speak.


#2452

The black one looks fantastic!


#2453

Elektron are finally learning to make handsome gear I see lol


#2454

Absolutely. Im building a spreadsheet at the moment so i can really visualize what i want to accomplish, i think the first 12 channels will be half normaled to my interface IO and then the rest will be open so i can freely patch fx etc.