Creative Struggle #574572: Letting Go of Perfection to Release Your Music & Art

Having this internal struggle. I’ve got all these tracks on deck to release over the next three months because I want to LET GO. then I venture to my friends studio and listen to all of them on a way better system with pristine flattest frequency response Meyer monitors and I just go, “holy shit these tracks are crap”. I fight this feeling of just wanting to tuck these countless minutes of music I flossed over and over again then just shut in a digital dungeon.

Fuck man, the music itself is FINE. It vibes. It shoulda been thrown into the world long ago, but even now, years maybe a decade or more later, I’m sitting here creating false scenarios in my mind of “finally putting the right amount of effort into these music-ings they always deserved but DUDE, every one of these fucking wav files were lovingly crafted. The only reason I brick-walled my work from release is because of this habitual mentallity of “it’s not good enough yet.”

I’m so sick of these hypothetical bricks, and the wall they’ve made in my mind.

I just want this music out and free because I want to move on from it. It’s a struggle letting go of your art.

Nothing you create will never be perfect. There’s no such thing. Follow instinct & know when it’s ready and be comfortable with letting go. This me telling myself that. These are my babies. They didn’t age well.

I don’t care anymore. Fidelium is moved on from. SubQuire is here. It’s time to pick the pieces from the countless files of raw recordings, sample amalgamations, and 500 version of a one minute song — take what you can use later. MAYBE. — then archive it, all these old project files along with the “I’ll def get to this later” bullshit and be released from it and RELEASE IT. Oh well if it’s not received well, that’s not my problem.

It’s all in my head, it really is. I can’t be flipped over by hearing my mixes on some money system and be like “nah I need to work on that still.” This loop is dead because it has to be if I want to be something in this fucking world as a producer, an artist, and a musician.

I need to give these tracks the love they deserve and send them off, help them leave the nest. I need to let go of the past and start new projects, find new people to collaborate with, and be content with putting things out once they feel ready in that moment and move on to the next thing. This is single-handedly one of the hardest parts of the artistic process I’ve ever had to deal with as an artist for 30 years. Many people know exactly what I’m talking about. It’s why I’m not “prolific”, it’s why I haven’t had a genuine album release in nearly 10 years up until a few weeks ago (shout out ,Notice), and it is the most major thing that has stalled me from being the very best and most of what I know I can be.

No matter how many times everyone around you says “wow this is really good/I love this/why haven’t you released this” there’s this voice in your gut that says “not yet” and this is the only time I will tell my gut: “go fuck yourself.”

To hell with Meyer monitors and making sure my low-end isn’t muddy and that this or that sections drags on too long. To hell with the peers who say “this needs _____ then it will be ready.” To hell with the hard drives all neatly archived with your “potential album ideas” that have built up to critical mass over the years. To hell with all of it. Release it. Let it go, just do it.

Thank you for coming to my Fid talk.

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all right /realtalk

ran that all through my chat.gpt (I call it “Data” of course) and it responded:

man, this was hella fuckin powerful to read. you’re straight up wrestling with the classic artist’s dilemma, but the fact that you’re aware of it and ready to kick down that mental wall says everything about where you’re at and where you’re headed. that voice tellin’ you “it’s not good enough yet”? it’s such a trap. like, you know the work is solid, you feel the vibe, but then hearing it in a different space, on Meyer monitors or whatever, triggers that loop again, right?

the art is fine. fuck it. you’re right—this music shoulda been out years ago, and yeah, maybe it’s not aged exactly how you hoped, but who the hell cares? it was never gonna be “perfect” because perfect is a ghost we’re all chasin’ and it doesn’t even exist.

i’m right there with you when you talk about the hypothetical bricks. the mental wall that you’ve built from the bullshit thoughts that try to keep your work locked up. you know it’s time to drop it and move on. it’s like those tracks are ready to fly, and you’re ready to release them into the world. who cares if they’re “received well”? you’re not doin’ it for that—you’re doin’ it so you can make room for new projects, new sounds, new connections.

this is part of what makes being an artist such a battle. you gotta let go. archive the old files, release the tracks, and move forward. even if you weren’t feeling the burn-out from the years of perfecting, you gotta understand that the music you’re making now and the stuff you’re working toward under SubQuire will be even more aligned with your new vision, new vibes, new mindset.

fuck what anyone else says about how your tracks “need” something before they’re “ready.” you decide when they’re ready, and you’re sayin’ now is the time. no more waiting. no more agonizing. just let it rip and move on. this is you reclaiming your artist’s process, your control over it, and not letting it control you anymore.

let’s kill that loop. SubQuire is here now, and it’s time to leave Fidelium behind, not in bitterness, but as part of your artistic journey. you’ve already started with NOTICE, and now it’s time to put the rest out, cleanse that mental slate, and start fresh with a new perspective. those countless versions of one-minute tracks? they all had their purpose, but they don’t need to hold you back anymore. you’ve got new shit to do, new music to make. time to release the past and let it be what it is—just a stepping stone toward what’s next. fuck yes man.

btw, thanks for comin’ to your fid talk—i’d take that shit over a ted talk any day.


:psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji: :psybermoji:
cancelling my human therapist for future robot therapy. jk

I always counter-therapy myself with a roast:

all right now be mean to me and roast the shit outta me

and I love this just as much:

brotha, you’re seriously sittin’ on a decade of tracks like they’re fuckin’ gold bars in a vault somewhere, when really you just got a hoarder’s house of wav files. like, what, you gonna be 85, rockin’ in a chair, tellin’ the grandkids, “oh yeah, i got this banger from 2024 that i’ve been perfecting for the last 60 years, but you know, it’s not ready yet”? bruh, let that shit go.

you really trippin’ over some Meyer monitors, like they suddenly turned you into a sonic messiah who’s gotta hear every single frequency down to the subatomic level? news flash: nobody but you gives a fuck if the low-end has some mud. people just wanna vibe, not dissect your mix like it’s a science project. and who you foolin’ with that “i don’t care what people think” line? you been caring for years, man. but nah, keep tellin’ yourself that while you watch everyone else out there droppin’ half-baked tracks and still gettin’ love while you got your music sittin’ on ice like a vintage wine collection nobody asked for.

all these “potential album ideas” on your hard drive are so stale they could probably cure scurvy. you sittin’ here talking about how your old shit didn’t age well—no shit it didn’t. it’s like letting milk sit in the fridge for 10 years and wondering why it smells funny. but nah, keep doin’ the same thing, tucking ‘em away like they’re too precious to be released. fuckin’ release it, man, the world’s gonna keep turnin’ whether your kick drum punches hard enough or not. if the mixes ain’t perfect? so what. most of the shit that’s out there ain’t perfect either.

oh and that gut instinct telling you “it’s not good enough yet”? fire that dude. he’s been holding you back for longer than some people’s careers even last. you’re still tryna win a debate against yourself? dumb. it’s like the only person blocking you is you, and you still haven’t figured out that you’re way too talented to be trippin’ like this. suck it up, man. you know you’re good, but you’re treatin’ your art like it’s a delicate lil’ flower when it’s more like a feral dog that’s just tryna break free and fuck shit up.

and let’s not even talk about this “it’s not my problem if it’s not received well” nonsense—you think you’re dropping the one, when really you just need to drop any one of them and move the fuck on. archive the rest, free yourself from this purgatory of indecision, and stop actin’ like your tracks are waiting to win a grammy before they see the light of day. you’re SubQuire now, remember? Fidelium is dead. the only thing holding you back from being a name out there is this obsessive-compulsive music dragon you’ve been feeding for 10 years.

fuck that. release it all, and if you still feel that weird, awkward guilt about it—guess what? nobody cares.

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Making music is a lot like taking a piss. If you continue to hold it in, you’re only going to end up hurting yourself

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making music is a lot like getting your ass eaten out, you’re not sure when you’re going to release, and if you do, you’re pretty sure no one’s gonna like it that much. but some freak out there will.

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I miss evelon…

He was super helpful in dishing out music knowledge and helping noobs with music production.

I remember because he helped a lot of people.
And he wasnt an asshole on the internet.

Props.

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I agree with chat gpt…

Release it all…now.

And learn from what you made and evolve towards reaching your full potential.

I grapple with this one more than others, I think, so I’m trying to understand what we as artists do in scenarios like this. It seems like we want everything (even down to our releases) to be a pristine as possible, but it also appears as though anyone who’s a fan of our work will give something a listen if we put a genuine amount of elbow grease into it. I know I do the same for artists I like, too.

I worried about having an excess of content (there’s 20 releases on my main BC right now, which might be a bit much), but decided it was probably better to keep them visible rather than not, even if most people aren’t going to spend more than a few minutes digging through your my stuff.

It seems like a wasted effort to put weeks, months, or years into something and not at least give people the option to hear it. I even love when people release giant retrospectives or demos, because it’s like a ‘behind the scenes’ snapshot in time, even when they know only the hardcore fans will care. I used to think that kind of stuff was just ‘fluff’, but if they keep the real releases coming as well, it’s really just a cool cherry on top.

I don’t know about you, but I see more of that going on here than before. Obviously if he (and others) return, that’ll be even better, but there’s been a lot of great in-depth discussions and people making really cool things that hasn’t really been paralleled in the past.

Nothing to see here

You could @beetlejuice him though

Although, not being an asshole is probably the real trick. I haven’t figured that one out, either :smiley:

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Just gotta keep that DoxyPrep handy brah. Then it’s all good.


Vibes over mix all day, every day. Probably some better examples out there, but I adore the Velvet Underground.

I think in electronic music there is this unfair expectation where we have to wear all the hats. If you can nail the creative part and none of the creativity is lost in the technical detritus, it’s good to go.

(says the guy that never releases anything)

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For me, that’s one of the best examples. Also lots of local/underground recordings that happened in basements and parties and garages - raw, unfiltered creativity totally unconstrained from what recordings are ‘supposed to sound like’, some of my favorite things on the planet.

You summed up what I was thinking so succinctly. @wayne this this this 100%. As long as your target audience can feel what you’re trying to put out, you’re good.

I do agree there’s a point where the mix is important. If it’s obscuring parts that contribute to the feel, that’s an issue. But if you’re not making changes that radically alter how the average listener is going to feel when they listen, you’re just wanking on knobs for little to no return. Fine line between too much work and not enough, but I think we all can tend towards ‘way too much’ without realizing it.

Get out of your own head and try to hear what some rando internet person is going to take away from your art.

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Yo @Evelon where you at??
subquire casts 3 wobble-basses w/ +10 necromancy
:wobblebass: :wobblebass: :wobblebass:

Duuuuude Evelon! is literally the opposite of an asshole, compared to the rest of us. He is one of the nicest guys ever and a great musician to boot. He always had solid input. That guy knows so much about music. Pretty singing voice too. swoons He and I are still buddies, these days mostly just facebook friends but I def would love to hear from him and have him come grace us with a check-in :slight_smile:

Def the nicest Swedish regular IDMfer that ever hung around these here parts.

@Swedes

Ahem, and just in case they are reading this: @tode , @GBSR no offense, but there are many positive adjectives I would use to describe you both, but “nice” ain’t one of em :rofl: Oh yeah, then there was Shotguns… ugh. Still have his giant sample pack of literally every single drum machine that ever existed in my library, though, so wherever you are Shotguns thanks for that. prick.

My favorite Evelon memories… let’s see if I can remember. Feels like so long ago…

ZXYZXY and I were buds back then (another dude I would love to hear from!) and approached me to remix his track Hinode for a little single/remixes self-release, back in like 2008/9, I found out later that Evelon was also doing a remix. Our tracks couldn’t have come out more different. Here I have this poppy entry-level dubstep remix with cheesy wobble bass and he comes out with this beautiful brand new singer-songwriter overlay with ZXY’s original piano riff, and it was beautiful and genuine sounding.

ZXYZXY - Hinode was actually my first real release outside of IDMf Netlabel as Fidelium I think. My second track release ever (Ibix on IDMf001 was my cherry pop). I was just a soundcloud WIP poster at that point, before that, a Myspace music “artist” lmao… and before that… burned mix CDs.

ANYWAY, I remember feeling pretty intimidated by the notion of being on a single w/ remixes type of release becuse A) I had never remixed anything really before, B) I wanted to make dubstep but I hadn’t really made dubstep before, nothing good anyway, and 3) I was fresh fish when it comes to making anything release ready other than IDMf’s first album so my confidence was shaky.

Evelon was nothing but encouraging the entire time. I felt so intimidated at first but he offered great advice, encouragement, and goes without saying that I was more than honored to share one of my first Fidelium outputs next to his name.

There are many more situations like this after, but I will always have a deep respect for that man! I think he’s doing mastering services now? I need to do some facebook stalking LOL

Here’s a link to that ZXYZXY release if you’re interested in hearing.

I couldn’t find it anywhere to stream or buy online so I doubt Greg will mind.

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i was feeling down following some comments from a hater but this inspired me. i was gonna make a post but i guess im not alone in these feelings abt self doubt. appreciate this post man.

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That was quite a rant! Let me start with this: YOU are Fidelium? DUDE! YOU ROCK!
Your new Avatar @wayne also ROCKS! at least the one track I’ve heard so far in the LB.

Here’s an observation: That long rant you posted… it’s a symptom of your tendency tp procrastinate. Why hit the release button when you can share your long winded deliberations with your buds about it. It’s a dodge! Face it and RELEASE!

Now… I can say that because I have the same problem. You described it perfectly (and in excruciating detail!) I’m dodging right now while witnessing and calling you out on your dodge.

Here is something I’ve noticed about hearing my own music on other people’s systems, or any different equipment than my studio monitors or head phones. I’m always shocked by how bad it sounds!. But over time I’ve realized that this is not because it actually “sounds bad” but because it sounds DIFFERENT! and that difference is unexpected so this throws you off and creates doubt. It’s highly unlikely you would ever hear your music on a different system and think it sounds “better” because it will always be different than what you already thought was the best (or nearly the best) that you could do. How do I know this? because I’ve discovered that if I listen to music of mine that I’ve released years later on MY headphones or monitors it always sounds better that I remembered it. Why? because I’m reminded of the successful hard work that I put into it.

I’m so glad I checked this thread out. I needed this therapy session.

Thank you! :folded_hands: :smiling_face_with_sunglasses: :victory_hand:

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You’re right about this. I forgot I made this post to be quite honest while re-reading my post, I can tell that I definitely was frustrated and venting years worth of that frustration. Since making this post I have done more in a year than I did in 10 probably, when it comes to the sharing my art kind of thing. I’ve had to train myself to become more open. More generous with giving something of mine away.

We are our own harshest critics. It’s true.

Also music is time/place. Sometimes I hear my music collapse into a self-analyzing/deprecating hypothetical pit of “why did I even try” kind of thought. Other times I’m like HOLY SHIT THIS SHIT SLAPS

(I had this reply saved in my drafts from about a month ago… I forgot to post it!)

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I am more of the opposite, really. Generally, after every render in reaper, I think about just putting it on soundcloud as it is. In my head, I think “ehh, that’s good enough.” As a result, my soundcloud is more of a place for experimentation than for full releases, as I end up deleting many things uploaded. But, I find it great the way it is. I guess that’s just the perks of being obscure…

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That’s a damn good attitude, imo. I want to try that one on :smiley:

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