I can’t really figure out what the argument is about.
I’m certain there is a language barrier causing this, as I’m not sure what @st3aLth means by this:
But that’s ok, lets work it out and make sure we all understand each other.
@st3aLth Do you mean to say that your mixes aren’t improving even though you are “doing all the things the right way”?
Here’s what GPT said when I asked it:
It seems like the argument revolves around the effectiveness of learning music production techniques, particularly mixing, from online tutorials, and the belief in “mysterious” or intangible factors affecting the quality of a mix.
The initial post praises Dylan’s ability to explain mixing, suggesting that his insights from the Producer Dojo are valuable even to those not part of the group. However, another commenter, st3aLth, asserts that despite the availability of tutorials, some mixes still don’t improve due to mysterious reasons. They also express skepticism towards the effectiveness of having a lot of gear in music production.
This statement prompts confusion from relic, who argues that many people have indeed learned from online tutorials and created great mixes. st3aLth responds by emphasizing their personal experience, claiming that their mix doesn’t improve despite following tutorials, implying there’s an inexplicable aspect to achieving a good mix.
The discussion continues with relic attempting to understand st3aLth’s viewpoint, but st3aLth maintains their stance that mixes may not improve for mysterious reasons, even with correct techniques.
Overall, the debate touches on the balance between technical knowledge and intuition in music production, with one side emphasizing the importance of tutorials and learning, while the other suggests there are unexplainable factors at play in achieving a good mix.
Is GPT correct?
I agree that there are many people out there that buy all the gear and have no idea what they are doing, however, you do need at least a quality monitoring system and a room that does not color your mix to get a good mix. If you don’t have this then you can employ other techniques such as corrective EQ software and speaker filtering to get a flatter response from your monitoring system.
St3alth, perhaps this mysterious thing that is making mixes sound bad even with correct techniques, is actually poor acoustics, or some part of your system (maybe headphones?) that is not representing an accurate example of your mix. Perhaps it’s not mysterious at all?
Let me know if I have misunderstood what you are saying.
Where are you from @st3aLth?