It’s interesting, not sure I’d call it acid house but I think we’re all past that now. My criticism is the drums are still too weak in the mix and getting buried by the overlapping melodic elements of the track . I assume if you muted the drums and ran the rest of the track through a spectrum analyzer, there wouldn’t be any points of quiet or even close to it.
Nothing wrong with this, the wall of sound has been a production technique for years but you’re going to have to be more meticulous with each element of the drums to get them to fit in. I not sure if reverb is the answer. I think you’d have to look at each element separately and then run them through a buss with some parallel compression on it.
I’d also look at the keys and the musical elements to see where you could put in thin -3db notches to give the percussion just that little bit more room to come through.
The track title and image goes very well with the tune though