Users from the ol' idmf that you miss
Essenthyās musical output was outstanding, we collab on a track and I was so impressed with what he could with my shit.
That final drop!!!
I forgot how much animation you can feel. I still recognise some of my bits, but truly Essenthy was amazing.
That was intense! Powerful use of imagination. The rhythms are seriously visceralā¦ mesmerizingā¦ and the arch of the composition and drops masterful.
I joined the forum less than a year before the (you knowā¦ the Big THING ā¦ that didnāt happen) and donāt remember Essenthy, but so glad to have a taste!
@Auto-meh-geddon ā¦ what ever part you played in that pieceā¦ wellā¦ Iām impressed.
Iām about to load to Soundcloud an IDMf EXCLUSIVE UNRELEASED TRACK:
An unfinished collar between NoFloors and I.
And here it is, posted without Tritonās permission of course!
There is a shorter version of this, around 2 minutes, maybe an older version, which I think sounds better, this track could have been a good dark techno track, no idea why we never finished itā¦
Thatās coolā¦ this reminds of back in the 80ās in the studio. Take a simple sound source on a tape loop and run it through a Slap Back echo on Record fed into and out of 8 successive mixer ports and then play with faders ā¦ crazy unexpected heaven and hell could come forthā¦ eventually the tape would start to degrade and you get this warm analogue version of a bit crush like distortionā¦
Those were the daysā¦
wow anodyne was one of the people whoās music I really enjoyed, and he was really sweet and helpful. All the best to him!
Iād expect being called raidenbeats before skycore but ok lol ,
@Lug - chasing the dream lug, plus coming to terms dubstep might be dead ,
whatās big in electronic music atm? I honestly donāt know what replaced dubstep. Back to house music?
With the sound design lifted from dubstep, it seems. But it doesnāt feel THAT big right now. Hopefully very fractured with opportunities for the obscure out there to get some real momentum behind some sort of ambient dance genre.